The Blanton Vases in Greek Art History
Vase painting in the Archaic period saw the first forays into figural decoration on Greek pottery. It is often divided into two phases, the earlier (ca. 700-600 BCE, frequently called "Orientalizing") being strongly influencd from the Eastern Mediterranean and Middle East, and a later (ca. 600-480 BCE) that more closely resembles the Classical period that follows it.
In Corinth, painters begin to decorate their pottery with black slip figures on an un-painted background in the natural color of the clay. The preferred subjects at Corinth included animals, mythical beasts, and floral designs.
Vase painters in Athens, which was to become the most important center of Greek vase-painting, begin to use the black-figure technique. The Athenians preferred human scenes, particularly from myth.
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Athenian vase painters innovate a new form of figural decoration by reversing the black figure technique, painting the background in black slip and leaving the figures the natural red color of the clay. Details of the figures were added with fine black-slip lines.
The Classical Period, generally considered to be the artistic peak of Attic (Athenian) vase painting, is typically considered to extend from the Persian sack of Athens in 480 BCE and the death of Alexander in 323 BCE.
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This period, beginning with the death of Alexander the Great in 323 BCE, is defined by the spread of Greek language and culture around the Mediterranean and the Middle East following Alexander's campaigns. One characteristic of Hellenistic vase painting is the rising popularity of polychrome (multi-colored) painted vases, like the Lebes Gamikos in the Blanton collection.
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